Looking through a skylight

Yesterday evening saw an exciting event – the official launch of my exhibition with Maggie Cameron. What grew from a fun exercise for us both has become something that is bring genuine joy to people, and that is a wonderful thing.

Our Inktober poetry and art collaboration began by accident. I noticed Maggie had set herself a challenge to respond to the Inktober prompts by creating images of birds. I had my own October challenge of getting up early each morning to write, and I love to write about birds. And so a perfect match was born. I’d signed up to a Dawn Chorus writing group too, so the timing early couldn’t have been better.

The poems are different to my other work – more fact inspired I suppose. There’s a lot of fun in some of them and a fair bit of anger and frustration at the world in others. The poems in the exhibition are redrafted versions of the ones on my Inktober page, and it’s interesting to see the changes.

Things I loved about last night

Seeing my work on display – I love the marriage of poetry and art. It’s something I’ve seen a lot in various cities and it’s brilliant to have it here in Ironbridge.

Hearing the good things people say. An artist I’ve admired for years bought three cards because she thought the words and pictures were so perfect together. That’s something to treasure. So many people asked if Maggie and I will produce a book, and so many loved the idea and the content.

Seeing people spend time reading my words – it’s something that still surprises me. Self belief is not my natural state and watching people seem to enjoy my work is an alien thing.

Things I wish were different

I wish I had read. This would have been a perfect opportunity – but so close to Dad dying I just didn’t trust myself not to crack. A love of birds is something we shared from when I was tiny, and so many of the poems are intertwined with him. There’s one about a Mandarin Duck which inspired a poem sparked by one of the last conversations we had – Dad wasn’t much of a talker so this kind of memory is a precious thing. One day I’ll read it aloud.

I wish I felt less ill. Emotional exhaustion has numbed me a little, and sparked a lot of M.E. symptoms. I wasn’t as engaged as I could have been, which makes me sad. Lee, Maggie and Molly have literally take the reigns and made this happen, and as you know, sitting back and letting others do the work is not a comfortable place for me.

Will there be a book?

So many people asked this last night – it’s definitely something we will explore. The costs to publish an art type book will be a good deal more than a simple pamphlet, so it may be time to get the crowdfunding hats on again!

Thanks for reading, if you’re local to Ironbridge do pop over to 86’d to enjoy some delicious coffee and cakes, as well as looking at our work.

If you’re not local and you’d like to buy some of our poetry and art in postcard form, just send me an email kathrynannawrites@gmail.com

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How is it the end of August?!

I mean – how is that possible? This month has meandered away under a cover of cloud.

The end of summer usually makes me sad – warm weather means less pain for one thing. I miss eating outside, watching the swifts and martins overhead and the general floatiness that comes from spending every day in long skirts and flip-flops. Autumn is beautiful, of course, and winter is pleasingly austere but summer ? Summer is for smiling and pretending I live somewhere altogether less stoical.

I feel different this year. Perhaps it’s because much of summer has been taken up with house renovation, perhaps it’s the insistent gloom of the skies over Coalbrookdale. Perhaps it was that glorious week on the Welsh coast. I don’t feel as bereft and wary of winter as usual.

It could also be because I feel I’ve regained some equilibrium. I’m writing more mindfully, rather than scribbling from a turbulent mind, which inevitably means work that is more poem than outpouring – ultimately, work that is better.

I’ve also been more proactive with submissions – looking at my Trello page and seeing I’ve only three pieces in circulation was a bit of a shock . I spent some time reviewing, redrafting and refining some of the poems I’ve made this year as well as seeking homes for them. Always nerve racking. Always exciting. Always full of “why can’t I just be happy with gardening instead of putting myself through this”.

Camping at Caerfai seems like years ago

Good news too – I’ve had a piece of flash accepted for publication by Sledgehammer Lit. who are fast feeling like my poetry-spirit home. I love what they publish and I love that they seem to like my stuff. This piece is one that I love and that I’ve found hard to home – so I’m thrilled it’s going to be part a journal I admire. A couple of poems were declined – but that’s how it goes.

New projects are brewing too – a couple of gentle collaborations with friends whose art I adore may be coming to fruition in the not too distant future.

I seem to have a new direction in terms of how I want to write. My aim is to set aside a week – autumn I hope – and do my own mini writing retreat. I’ll have to stay at home obviously, but I’m going to try to minimise other work and manage domestic duties so I can focus on reading,writing and exploring new directions. Or I might go and make furniture in the Scottish Highlands like Cate le Bon.

So summer is closing, with a whimper or a bang remains to be seen, but I feel positive about my work, and positive about where I’m going – slowly, as ever, but I’m moving. And that’s what counts.

If you’d like to comission a poem, for yourself or as a gift then you can ! I love to create bespoke poetry – it’s a privilege to be asked to express people’s love and care for each other. If you’d like to find out more just click on Poems from the Hare at the top of the page, or send me a message kathrynannawrites@gmail.com

What I love about poetry prompts

This year has been one of my best. Ok, so that’s not entirely true – what I mean is, this year has been one of my best as a writer. I’ve been longlisted and shortlisted in several competitions, had various pieces published including one in actual print, which always feels super special, plus I’ve published an illustrated poetry zine. Compared to the gloom and despondency I felt about my work at the start of the year, I finish the year feeling positive – about writing at least- and I put it all down to poetry prompts.

Why do poetry prompts help ?

For me it works in two ways. Firstly, it’s the element of playfulness. A prompt kick starts my mind, starts the language and rhythm circling. It may not be a subject I like or would consider, but once I give the words time, often something good emerges. Often something terrible emerges too and that’s also cool. It’s all writing and it doesn’t all need to be seen.

I’ve learnt that I either write something super quick, like my shortlisted 100word poem/story for Lightbox Originals winter competition, or I need to spend several weeks thinking, tweaking, revising. I guess this is true for most writers. I think the greatest thing that working with poetry prompts has given me is a sense of fun and possibility. I love writing again in a way that seemed impossible at the beginning of the year.

My prompt a day notebook – I’ve almost filled it this year

Where do all these poetry prompts come from?

Ah now this is my secret weapon. If you follow my blog, you’ll know I’ve taken several “prompt a day” courses, created and run by Wendy Pratt. It’s a simple idea with immense results. I benefit from the discipline of daily prompts. I also benefit form being part of a very kind online writing group that’s associated with each course. I’m not a great group person, but I’ve felt welcome, safe, and confident enough to share my work  and seek feedback.

The other aspect of this is that I’m reading countless poems each day, understanding what works, understanding how a quirk of word or comma can completely change the feel of a poem. I’m also learning what a huge range of responses a small group of people will have to a prompt. There’s no sense of “getting it wrong”. A lot of this has to be down to the attitude held by Wendy herself – even the simple fact that she allows some of us to pay a little less for the courses (and gives excellent way of self-assessment) shows an understanding that this sort of thing really is a luxury and helped me feel there was a place for me here. It’s a good feeling.

As the year draws to a close, I feel aware of myself as a writer.  My work has grown tremendously over the last twelve months; I see a stark difference between what I’m writing now and the work in Yes to Tigers for example. I seem to have a bit more confidence, and I’m definitely having a lot more fun.

Oher news

I’ve given my site a bit of refresh – I’ve a dedicated page for  my published work, as well as an updated “Why this all began” page.  News on my pamphlet submission will be coming in the next few months (and I am hating waiting – this is one of the biggest things I’ve done so far) plus I’ve the usual round of competition and journal entries.

By far the best news is that my recent ill spell seems to have passed and I’m relishing having two or three days a week where I feel able to write and work and feel very slightly free.

Wash your hands, stay safe, eat a  mince pie, and read your favourite books. Maybe try a poetry prompt too.

To a commission a poem, piece of short fiction or buy a copy of Yes to Tigers email kathrynannawrites@gmail.com

You can find  out more  about Wendy Pratt’s poetry,the courses she offers and her brand new magazine Spelt here