I’m writing again

And it feels wonderful. I’m part of a group delving into folklore and witchery as part of The Corn Dolly Speaks it’s a course which sparks my imagination and sends me off on merry research missions that spark it even more. I’m reading some amazing poetry, working with amazing people and feel excited by writing for the first time in a while.

I’ve been looking forward to this so much. I’d set my mind that I wanted to refocus on my work this autumn and this first week has proved positive. I have a schedule for going through my notebooks, planned time to explore submissions and I’m saving hard to afford some mentoring for what may be a new pamphlet next year. This feels like new year for me.

And perhaps it is. Working on Dust has taken more from me than perhaps I realised. Not so much the writing, but the fund raising, self promotion (thank you so much to everyone who’s joined my FB and Instagram campaigns) which never sits well has taken quite a lot from this old introverted psyche.

On the other hand working on this project has given me a huge amount. The sense of “I’ve done this” is hard to ignore. Realizing that I can collaborate with others to come up with something that really does what we hoped it would is fantastic. Reading the words of people who’ve got in touch to say that the work has moved them and even helped them with their own experience of grief, or the people who’ve just got in touch to say “well done”has had a huge impact on how I feel about putting my work (and by default my self) out into the world.

I’m reading a lot about Anglo Saxon tradition and understanding of the wheel of the year, how summer finishes so quickly, with winter coming in fast behind. There is something grounding about realising that our response to the seasons has barely changed and reading Eleanor Parker’s stunning book is a real joy. I’ve started reading a section each morning and the things I learn before even my first cup of tea are wonderful.

I usually dread this period just before Christmas – it’s been a grim countdown to the worst anniversaries for several years. I feel different this year. More understanding. More accepting. Peaceful, despite the absolute chaos going on in the outside world. I’m writing again and somehow that makes things feel alright. Bearable. Hopeful, even.

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In praise of understanding

I’ve had so many kind responses to my last post – it’s very much appreciated and heartening to know how many people want me to keep writing. The critical voice is strong (does that sound a bit Star Wars?) and the downside of increased socialising means she has so many more things to pick to belittle me about. Tools and tricks are there to be used though and I’m going back to basics in terms of managing my mental health. One of these days I’ll learn to take care before it reaches this point. 

Writing is a big part of this of course. Other than gardening and cooking it’s the only thing I know – the only thing I feel right doing. I wish I felt more certain about my skills, but I guess, unlike gardening and cooking, writing is incredibly subjective. I know if I’ve cared for a plant well, because it blooms, sets seed and continues its life. I know if I’ve cooked a meal well because it pleases my taste buds – and hopefully those of others. I deal with failures in gardening by learning how to do it right next time, I deal with failure in cooking by learning how to do it right next time. I don’t feel torn up, distraught or as though I never want to cook or garden again. Why so? 

The simple fact is that it’s really hard to know if my failures are because I’ve made a colossal mistake, or just because I’ve not tickled the metaphorical tastebuds of the editors or competition judges. There’s no-one saying – “oh it’s so close but a bit under seasoned” or “what the blazes made you put chilli oil in the rice pudding?”. It’s a simple thanks but no thanks and on you go. This, of course, is no fault of the many long-suffering lit mag editors. Many decline work in the kindest, fullest way possible. A few give what reads as a very formulaic response, but hey, these are busy, unpaid people wading through a colossal amount of work to find the perfect fit for their magazine. 

I’ve realised I need to wean myself off the dopamine rush of having work accepted. I love the thrill of opening that email, expecting rejection and reading that my work will be published. I love shouting about it all over the socials and getting the flurry of interest and interaction. It feels nice. It feels like I’m worth something. And it’s as addictive as all the other addictive things. 

I planned today as a poetry day. This is a luxury I rarely afford, and something I usually crave, like a warm bath, or a hot buttered toast. A poetry day usually makes me feel better. Today – oh how I wanted to roll over and ignore the alarm, How I wanted there to be some ad hoc freelance work that was just too good to miss. I felt scared. I felt as though I was setting myself up for more failure and more sadness. Today I sat and looked at my work and wondered why the heck I actually do this? Is it to make people like me? Is it to give myself status? Is it to justify my place in the world? Yes. Of course it is. But writing can’t only be about these things. It can’t only be about making myself feel better about not being who I feel I should be. For me, writing has to be about making a difference. It has to be about forging a connection and showing a way for people to feel less alone. It has to have a purpose beyond my personal vanity. 

So this feels like a point of maturity. I intend to step away from the submissions treadmill for a while and work with the work I have produced over the last few years. I’ve spent time today looking at the themes in my work (sadly there isn’t a strong theme of fluffy bunnies) and intend to spend a little more time with the poems, redrafting and wrestling them into a series of pamphlets, before approaching some of the people who showed interest in being a mentor to me and my work.  Above all, I’ll spend more time reading and listening to poetry, more time absorbing and enjoying, and less time listening to that critical voice. Honest. 

How does mental health impact on M.E.? *

The last couple of weeks have been tricky – I lost one week to M.E., which is never nice and seem to have taken a little longer than usual to recover. It’s been a curious combination of cold weather and reaction to revisiting past trauma, I think.

The cold weather is simple to understand – like loads of people who experience joint and muscle pain as soon as the weather turns cool and damp the pain in my limbs shoots up. It stops me sleeping and makes moving, showering etc. tricky. I’m used to it, don’t like it and think it’s yet another reason I should move to live in Abel Tasman.

The impact of my mental health is something I’m still coming to terms with. For a long time, I’ve fought against this idea, simply because a common derision of M.E. is “it’s all in your mind” (it’s not. if it was, I’d have scooted it out long ago). My EMDR therapist last year gently mentioned this and I felt very defensive – after the year of treatment though I noticed a difference. My symptoms were still present, but it was easier to find and stick to a baseline. I’ve also noticed that my symptoms increase at certain flashpoints (October through to Christmas is always hard) . So what’s caused this latest flare? It seems to have been my lovely poetry course – it’s called Telling your Story and touched a few trigger points for me. My first thought was “oh the therapy’s not worked” but I realised it has – it’s just not complete. The fact that I can recognise and take steps to minimise damage show that my instinct to survive is stronger than my instinct to destroy. There will always be triggers (just like for everyone) the difference is I know what to do, even if it takes a while for me to get there.

What does this have to do with M.E.? I don’t know is the honest answer – it’s just a connection I’ve made and that seems to hold up. There’s theories that past pain is stored in our bodies, theories that people with M.E. have developed a particular personality type that is the result of trauma. The idea of whole body health isn’t new, and each time I fall into this I realise that making time for good mental health practice is as important as making time for good physical health practice. I’m a bit rubbish at both, but I am getting better!

The other inescapable impact is the fear and chaos around every corner. I feel ill placed to talk of the current situation, but it feels wrong not to. I’m vehement in my belief in equality and at this moment that means supporting BLM – I can do very little other than educate myself and acknowledge my own privilege. This concept is something that seems to make people extremely uncomfortable – but you know my nan did it for years – she called it counting her blessings. Being aware that circumstance has given me opportunities that have been denied to others doesn’t denigrate the society I was born into. Not fighting to make sure everyone has the same opportunity to be the best they can be does.  

*this is my own personal experience – everyone with M.E. has different symptoms and stories. This is why we need research.

Thank you for reading, stay safe, speak up and wash your hands. I’d love your feedback and as ever if you like, comment and share on social media it helps beat the algorithm and raise my profile as a writer. Normal poetry musings will resume next week.