I’m writing again

And it feels wonderful. I’m part of a group delving into folklore and witchery as part of The Corn Dolly Speaks it’s a course which sparks my imagination and sends me off on merry research missions that spark it even more. I’m reading some amazing poetry, working with amazing people and feel excited by writing for the first time in a while.

I’ve been looking forward to this so much. I’d set my mind that I wanted to refocus on my work this autumn and this first week has proved positive. I have a schedule for going through my notebooks, planned time to explore submissions and I’m saving hard to afford some mentoring for what may be a new pamphlet next year. This feels like new year for me.

And perhaps it is. Working on Dust has taken more from me than perhaps I realised. Not so much the writing, but the fund raising, self promotion (thank you so much to everyone who’s joined my FB and Instagram campaigns) which never sits well has taken quite a lot from this old introverted psyche.

On the other hand working on this project has given me a huge amount. The sense of “I’ve done this” is hard to ignore. Realizing that I can collaborate with others to come up with something that really does what we hoped it would is fantastic. Reading the words of people who’ve got in touch to say that the work has moved them and even helped them with their own experience of grief, or the people who’ve just got in touch to say “well done”has had a huge impact on how I feel about putting my work (and by default my self) out into the world.

I’m reading a lot about Anglo Saxon tradition and understanding of the wheel of the year, how summer finishes so quickly, with winter coming in fast behind. There is something grounding about realising that our response to the seasons has barely changed and reading Eleanor Parker’s stunning book is a real joy. I’ve started reading a section each morning and the things I learn before even my first cup of tea are wonderful.

I usually dread this period just before Christmas – it’s been a grim countdown to the worst anniversaries for several years. I feel different this year. More understanding. More accepting. Peaceful, despite the absolute chaos going on in the outside world. I’m writing again and somehow that makes things feel alright. Bearable. Hopeful, even.

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New goals, new leaves, new logo, new resolution

I have a planner. I love the planner. I love making plans. I have not stuck to the plans and my planner has had a stern word with me.

This year has been a floundering year. I’ve pinballed around trying to take care of aging parents, trying to work enough to be able to afford to do all the things I don’t have time to do, trying to reconnect with all the people I haven’t been able to see , trying to carve out a way to actually make money from poetry rather than spending so much energy on copywriting, trying to create and publish Dust, trying, trying,trying,trying …

The result is, of course exhaustion. My body is showing various red flag symptons that it hasn’t shown for a couple of years, pain levels are high, and mental health has taken a huge dive. For a time, during the pandemic, I felt as though I was getting a little better. I realise that I simply wasn’t pushing my body and brain beyond their limits. And what of the planner? The planner has shown me how little progress I’ve made towards my goals, despite being performatively busy. So silly, and will I ever learn? The answer is I have to – if I want to achieve anything, I need to do less. How daft is that?

New goals

My first goal is quality rest. Whilst I kid myself that I take a day of complete rest each week, the reality is that day is spent online, organising bills, doing shopping, looking at things that are incredibly important…I don’t rest at all. Quality rest is my new watchword. It’s boring, I hate it but it’s the only way I can avoid the crushing exhaustion that plagues my days.

I struggle writing this of course, struggle with the thought that people will read this and think “it’s alright for her, lazy cow”. I know most people won’t but even after all these years I struggle to give myself permission to rest. I struggle to allow myself freedom to heal. However foolish it is I still get a kick out of burning the candle at both ends and love the feeling of having worked hard. I can still have that feeling , but only if I take more care of myself.

New writing

The truth is that writing is the most important thing I do.  I spent a couple of hours this morning working with notes on a new course from Wendy Pratt – and honestly it felt like I began to breathe again. The tension has washed from my shoulders, the methodical placing of letters and sound has created a calm that nothing else gives. I am in danger of focusing on the business of poetry, publication, making a living from it, being involved  and so losing the essence of why this matters, why it is so important.

News on Dust

My main focus this year has been Dust and the good news is that we’re very close to going to print. Proofs have been proofed, full stops have been agonised over, illustrations finalised (they are so beautiful) and this labour of love and sorrow is almost at an end. We have created a beautiful thing and I can’t wait to show you.

New logo

I’m hoping to relaunch my bespoke poetry business later this year. I love doing it and hope to expand my buyers from friends an acquaintances. As with everything, marketing is key, and I’ve taken a small first step by commissioning Saffron Russell to create a logo for me. I’m so pleased with it. Small steps.

New leaves

Several in fact. I shall protect my rest time, and protect my writing time. I’ll calm down and stop pushing, running around doing all the things. I’ll spend more time stepping back, reflecting and embracing the calm, quiet, caring nature that allows me to nurture myself and others. Self care, I think they call it. It’s hard to place enough value on myself to do it, but I’ll get there. One day.

Read poems – save lives. Project update.

I’m almost a week in to my crowdfunding project and things are going well. Funding is coming in slowly and it seems like there will be enough interest in the book for it to go to press.

I’ll be honest, this is hard. It’s so much more than a book of poems I suppose. It’s a stage of grief – I won’t say final because I suspect it never ends. It’s part of my goodbye to my brother and part of my learning to live with the jumble of shame, sadness, anger and guilt that weaves through the very real fact that I don’t have a brother any more.

I have spent the last week wondering if I’m doing the right thing, if I should just do a sponsored run (!) whether that would get more money. It probably would. But this isn’t just about money. .

Until we start talking about suicide, about the impact on those left and the things that lead people to decide the world will be better without them then this will keep happening. The work I’ve written is honest, brutal and suffused with love. These are poems that will start conversations. Framing this work as a fundraiser places this work firmly in the poetry with purpose category. And I suppose this is another way of absolving the never ending “if onlys” that pepper my thoughts each day. It’s difficult to revisit all those feelings, but the support and care I’m getting is so helpful. Thank you.

Over the next few days I’ll be writing more about the charities, and about the look and feel of the book. In the meantime to find out how to support the project financially head over to my crowdfunding page.

https://www.crowdfunder.co.uk/p/poetry-for-calm—help-prevent-suicide

Publicity is king in this hideous world of algorithms, so even if you can’t donate, please interact with and comment on any posts you happen to see xx

Season’s change

I detect a change in my outlook this autumn. For many years, this time of year has been a source of dread, a time to gather strength and hope I emerge on the other side of winter. Not this year. Many things I think contribute, but the overwhelming difference is that I feel more connected to the rhythm of the natural world. For many years I worked for a high street optician, squirreled away in a shopping mall or in an office in one of the less appealing parts of Birmingham. This meant that for half the year, my only time outside was a chilly sandwich on a bench in a carpark, or a glimpse of a starling murmuration as I waited for the bus home, and because retail means weekend working the opportunity to spend time absorbing and simply being in the outside world just didn’t happen.

Since contracting M.E., and having to switch careers, I’ve felt an increased awareness of the subtle shift of the  seasons, the way that on some days in spring plants seem to grow by the second. My senses have become heightened, scent is sought, the unique texture of a leaf is treasured, each bird is greeted with a friendly hello. My neighbours are used to me.

This shift in attitude has grown even more this year, for two reasons. The first is my work as columnist for Spelt magazine. My concept Micro Spelt, was to harness and describe the subtle changes I see each day, and to explore and express how these make me feel, how they help me connect. There is some frustration in there too of course, but on the whole, Micro Spelt is a place of positivity and solace in the simplest of things. Research for the column has led me down paths rich with myth and folklore, and I’ve discovered an aspect to the rural, to the natural world that chimes loud and long.

Alongside this forced focus on what’s in my backyard, I’ve developed a more disciplined routine. I realise my useful hours are in the morning, and that by getting up a little earlier I gain more scope to use my energy wisely. I begin the day by journaling, some days a few pages, some days a line or two saying that I don’t want to journal. I always look out at the trees, and I always notice the change in hue, or density of leaf. They’ve  become a companion to my morning, and a way to wind down at the end of the day.

Taking this time to focus, before the business of writing web content or just the day to day of trying to live with M.E. begins has made for better writing too. I’m more confident in the work I produce, and feel that that elusive, and slightly snigger worthy concept, of finding my voice is becoming more real. I understand why I write and understand what I want to achieve by writing. I also understand that this will change and shift as my interests and worries alter. I’m happy to have had several pieces of work selected  for publication recently, for various small presses including Dreich, Broken Sleep Books and Lighthouse. These are publications I have enormous respect for, and genuinely considered beyond my reach.

My progress as a poet has always been slow and steady, but where before I felt bewildered and baffled by the whole business of publication, I’ve reached a point where I am writing what I believe needs to be heard, and publication is secondary. I’m spending huge amounts of time honing my skills, learning my craft if you like, and gaining courage to work with others, read aloud and take steps in  to the poetry community proper. I feel just a little more confident, and a little more like my work is good enough to share. My pamphlet is out for submission, and whilst I desperately want it to be accepted, I have steeled myself against the inevitability of disappointment. I’ve realised that often just a small change to a piece of work will elevate it to being something that many will want to read, and the combination of a little more confidence in what I write, and a lot more ability to make changes as needed means that work not being selected is just a sign that it wasn’t quite ready. Of course, it doesn’t always feel like this – there are many hand-wringing days of frustration too, but I feel much more measured about the whole business than I did a couple of years ago.

The next few of months will be spent completing my Crafting and Redrafting course with the university of York centre for lifelong learning, working on bespoke poetry commissions, as well as a couple of projects around creating poetry postcards in collaboration with local artists and artisans. Then, next year, I may, just may begin to distil ideas for a full collection. Maybe.