How is it the end of August?!

I mean – how is that possible? This month has meandered away under a cover of cloud.

The end of summer usually makes me sad – warm weather means less pain for one thing. I miss eating outside, watching the swifts and martins overhead and the general floatiness that comes from spending every day in long skirts and flip-flops. Autumn is beautiful, of course, and winter is pleasingly austere but summer ? Summer is for smiling and pretending I live somewhere altogether less stoical.

I feel different this year. Perhaps it’s because much of summer has been taken up with house renovation, perhaps it’s the insistent gloom of the skies over Coalbrookdale. Perhaps it was that glorious week on the Welsh coast. I don’t feel as bereft and wary of winter as usual.

It could also be because I feel I’ve regained some equilibrium. I’m writing more mindfully, rather than scribbling from a turbulent mind, which inevitably means work that is more poem than outpouring – ultimately, work that is better.

I’ve also been more proactive with submissions – looking at my Trello page and seeing I’ve only three pieces in circulation was a bit of a shock . I spent some time reviewing, redrafting and refining some of the poems I’ve made this year as well as seeking homes for them. Always nerve racking. Always exciting. Always full of “why can’t I just be happy with gardening instead of putting myself through this”.

Camping at Caerfai seems like years ago

Good news too – I’ve had a piece of flash accepted for publication by Sledgehammer Lit. who are fast feeling like my poetry-spirit home. I love what they publish and I love that they seem to like my stuff. This piece is one that I love and that I’ve found hard to home – so I’m thrilled it’s going to be part a journal I admire. A couple of poems were declined – but that’s how it goes.

New projects are brewing too – a couple of gentle collaborations with friends whose art I adore may be coming to fruition in the not too distant future.

I seem to have a new direction in terms of how I want to write. My aim is to set aside a week – autumn I hope – and do my own mini writing retreat. I’ll have to stay at home obviously, but I’m going to try to minimise other work and manage domestic duties so I can focus on reading,writing and exploring new directions. Or I might go and make furniture in the Scottish Highlands like Cate le Bon.

So summer is closing, with a whimper or a bang remains to be seen, but I feel positive about my work, and positive about where I’m going – slowly, as ever, but I’m moving. And that’s what counts.

If you’d like to comission a poem, for yourself or as a gift then you can ! I love to create bespoke poetry – it’s a privilege to be asked to express people’s love and care for each other. If you’d like to find out more just click on Poems from the Hare at the top of the page, or send me a message kathrynannawrites@gmail.com

Advertisement

Hares and Paper Swans

Do you remember my decision a couple of months ago to stop taking writing so seriously, publish stuff on here and write not ‘ just for me’ exactly, but without an eye on what I think might be good enough for publication? Since then I’ve continued studying various books, including Stephen Fry’s The Ode Less Travelled and Nine Arches Press The Craft, I’ve continued with various courses, (this month’s is Telling your Story another gem from Wendy Pratt) and love the discipline of writing most days, even if it’s something a bit rubbish. Being in a group of writers with a vast range of experience means I am constantly learning, both from their feedback and from reading their work. It’s one of best things I’ve done to develop myself as a poet.

In deciding to take things less seriously (which I think translates to not worrying about all those rejections), it seems I’ve freed myself to work harder, almost without realising. The combination of all this self-study and relaxing into my work means, three fab things have happened. Firstly I enjoy writing more, secondly I do more writing (every day that I can) and thirdly I’m enjoying a sniff of ‘success’.

My death will grieve foxesI have to be careful here – about my definition of success – am I going back on my decision to be an amateur? Not at all. I want people to enjoy what I write and being part of the Paper Swans Press single poem competition longlist means that’s what’s happened. My poem My death will grieve foxes is something that I worked on, tweaked, and nurtured. I researched hares (and yes, I know there are millions of hare poems, but here’s another), thought about why I’m captivated by them, read all the myths and connotations and followed the poem on its path. I loved writing it and in having it longlisted by a judge whose opinion I greatly respect, I know at least one other person loved reading it. I’ll be publishing the poem on here at a later date, maybe with a bit of unpacking around the themes, but until then you can read it as part of the e-book published by Paper Swans.

As well as my Paper Swans publication, I’ve had another poem sent out into the world this week. Marcescence is a poem wondering about how trees feel about losing their leaves, borne from watching those stubborn brown scraps that seem to cling to the branches all summer. It’s quite an old poem, that’s been through many drafts, but I’m delighted it’s finally out in the world on the wonderful Nine Muses Poetry.

Hares everywhere including this print from Amanda Hillier

Against the backdrop of sadness for those who’ve lost loved ones, those still struggling with the impact of what is a severe illness and most importantly the utter horror in the USA, celebrating these tiny glimmers of success feels wrong, disrespectful. Privileged. And the fact is, it is. I am privileged to be safe, I am privileged to be free from fear of being targeted, brutalised because of my colour. I am privileged to have a home and to have the freedom to write.

Nonetheless, with every bit of validation my confidence grows, my voice grows louder and my ability to fuel change increases. My actions and my words are tiny in the face of the huge injustice, corruption and trials people face very day, but they’re a lot more significant than doing nothing at all.

Thank you for reading, do download the e-book of all thirteen poems that placed in Paper Swans single poem competition. If you’re reading this on social media I’d love you to comment and share to increase my reach, and if you want to comment on here then I’d love to hear from you.

Kathryn xx

Featured image thanks to Vincent van Zalinge

And forward for one…

A bonus of M.E. means I’m used to set backs so I’m getting better at being able to regroup and rethink. I use the phrase “solution opportunities’ with a hefty dose of humour, but I do try to find the positives in a situation. For all the ups and downs, cutting a path as a writer has brought me many good things. Discovering beautiful poems like Hare by Ross Cogan is one of them.